Prepare to be swept off your feet by a magical theatrical experience that challenges your perceptions of love and beauty. But here's where it gets controversial: Can a tale as old as time still captivate modern audiences? Disney’s Beauty and the Beast musical, currently enchanting Singapore’s Sands Theatre at Marina Bay Sands, proves that it absolutely can—with a few twists that might just spark debate.
This beloved story of an unlikely romance between a book-loving young woman and a cursed prince has been reimagined for the stage, based on the iconic 1991 Oscar-winning animated film. And this is the part most people miss: Singapore is the only Asian destination for this Australian tour, making it a rare treat for local audiences. But does it live up to the hype? Let’s dive in.
The narrative is simple yet profound: Belle, a dreamer yearning for adventure, is played by the captivating Indian-Australian actress Shubshri Kandiah. Her Belle is not just a pretty face but a spirited intellectual, a refreshing take on the classic Disney princess. Opposite her is Brendan Xavier, of Indian and Dutch descent, as the Beast—a prince cursed to remain a monster until he learns the true meaning of love. Here’s the bold take: While the leads are undeniably charming, their chemistry feels rushed in the second act, leaving some audience members craving more depth in their romance.
But the real stars of the show? The ensemble cast. The household staff—transformed into objects by the curse—steal the spotlight with their comedic timing and seamless performances. Rohan Browne as the debonair candelabra Lumiere, Gareth Jacobs as the uptight clock Cogsworth, and Jayde Westaby as the maternal teapot Mrs. Potts deliver moments of pure joy. Controversial opinion alert: Their performances are so strong, they almost overshadow the leads.
The showstopper? Undoubtedly the fan-favorite song Be Our Guest. This flamboyant number is a dazzling homage to old-school cabaret, complete with feathers, chorus lines, tap dancing, and acrobatics. It’s a feast for the eyes and ears, leaving the audience in awe.
Jackson Head as Gaston, the narcissistic antagonist, is another standout. His self-titled set piece is a hilarious, energetic, and pompous display of chauvinism that had the audience roaring with laughter. Thought-provoking question: Does his over-the-top performance make Gaston too likable, or does it perfectly capture the character’s absurdity?
Now, let’s talk about the elephant in the room: Brendan Xavier’s portrayal of the Beast. While his powerful solo If I Can’t Love Her is the vocal highlight of the show, his overall performance feels amateurish and overly childish. Is this a deliberate choice by director-choreographer Matt West, or a missed opportunity to portray the Beast as a fearsome yet romantic figure? We’ll leave that for you to decide.
Visually, the musical is a masterpiece. From the jaw-dropping transformation of the old hag into a shimmering sorceress to the intricate set designs and moving props, every moment feels like a magical illusion. The live orchestra, led by Danny Troob, brings Alan Menken, Howard Ashman, and Tim Rice’s nostalgic tunes to life, making it impossible not to hum along to Beauty and the Beast when Mrs. Potts takes the stage.
Final controversial question: Does this production rely too heavily on its visual spectacle, or does it strike the perfect balance between storytelling and showmanship? Share your thoughts in the comments—we’d love to hear your take!
If you’re in Singapore, don’t miss this enchanting experience. Performances run until January 25, with shows at 1 pm, 2 pm, 6:30 pm, or 8 pm depending on the day. Tickets range from $70 to $340 and are available via Marina Bay Sands, Sistic, and Klook. Will you be part of this magical journey? The clock is ticking!
